'Look Closer': Figure Drawing As A Lesson In Empathy, Cognoscenti, WBUR, 2016. https://www.wbur.org/cognoscenti/2016/08/24/art-cennini-harvard-charcoal-heddi-vaughan-siebel
The Moving Image, Journal of the Association of Moving Image Archivists, Review of Shackleton Films, Vol. 3, No. 1, pp.174-178, Spring 2003.
Printmaking: An Enduring Love Affair,Graphic Impressions, The Newsletter of SGC International, Summer 2012, by Heddi Vaughan Siebel. Many millennia after the first river reed was stamped into a clay tablet, the love affair between artists and printmaking still persists.
reThink INK:25 Years at Mixit Print Studio, The Boston Printmakers e-newsletter, April 2012, by Heddi Vaughan Siebel
Harvard Review, No. 40, Published by the Houghton Library of the Harvard College Library, Summer Edition 2011.
Art in Print, Vol 2, No. 2 “reThink INK:25 Years at Mixit Print Studio”, Boston Public Library, review by Elaine Mehalakes, Art in Print, Vol 2 No 2, 2012.
Size and Scale in the Field of Contemporary Print by Catherine Kernan, Contemporary Impressions, Spring/Summer, 2009. pp 14 - 20.
Each Leaf Shines Separate, Illustrations for poems by Rosanna Warren, W.W. Norton and Company, New York, NY., 1984.
An Artists Notebook-Techniques and Materials of Drawing and Painting, by Bernard Chaet, 1979, Holt, Rinehart, Winston, 1979, New York, NY.
Cover, Art Work, “Great Swamp South”, Ploughshares (at Emerson College) Winter 2006-2007.
WGBHArtsInterview by Brigit Brown
“Two Cambridge Artists Think Big”, by Richard Tenorio, Cambridge Chronicle, June 29, 2006.
“An Arctic Circle”, Living Arts feature, by Sally Jacobs. Boston Globe, February 21, 2001.
“Vaughan Siebel Speaks to Packed Hostess House”, by Gina Dvorak,Marion Chronicle-Tribune, July 27, 2000.
“Landscape Ordeal”, by Janice Pieroni, Imagine, August 2000.
“High, tiled, and handsome”, by Mary Sherman, Boston Sunday Herald, October 23, 1994.